Los museos del Patan
El museo detrás de la puerta del oro
El museo de Patan muestra el arte tradicional sagrada de Nepal en un ajuste ilustre arquitectónico. Su casa es un residencial vieja del palacio de Patan, uno de los palacios de los reyes antiguos de Malla del valle de Katmandú. Su puerta dorada y la ventana afrontan uno de las plazas más hermosas en el mundo.
Los objetos expuestos del museo cubren un palmo largo de la historia cultural del Nepal y algunos objetos raros están entre sus tesoros. Su significado y contexto dentro de las tradiciones vivas de hinduismo y Budhhism son explicados. La mayor parte de los objetos son de bronce, la artesanía tradicional de la cual es famoso.
La mayoría de los objetos expuestos son las esculturas de hindú y las deidades de las budistas que fueron creadas en el valle de Katmandú, muchos en los talleres cercanos de Patan sí mismo. Otros originados en India, Tíbet y el Himalaya occidental. Ellos son acompañados por escrito explicando de su importancia histórica espiritual y del arte como la parte de la herencia cultural de Nepal. Los objetos expuestos también son diseñados para ayudar en la interpretación de la cultura viva que miente más allá de las paredes del museo.
Stone Art Section
This section lies in the
ground floor of the building beside the main entrance of the
Gallery. In the arcade, there are some representative stone
inscriptions have been shown including the time of Lichchavi
King Shiva Deva and King Yaksha Malla dated 588 N.S. There
are some remarkable stone La esculturas. The stone sculputures
here are mostly from Bhaktapur area and some of them are the
best representative of early medieval to medieval sculputure
art of Nepal.The four faced Shivalinga, Harihar, Surya, Chandrama,
Vishnu, Tara, Ardhanariswar and some architectural fragments
are worth mentioning stone art exhibits. 
La pintura Section
The first floor has various mediums
of works of La pinturas. In this section paubhas are remarkable
particularly. Among those that deserve close consideration
are Vasundhara Mandala, Ganesh with sakti, Mahisa Sambhara,
Vajra Yogini and Shiva Viswarupa. In the main exhibition hall
of the section, there are five showcases in the middle of
the room, these showcases are exhibited a few illustrated
manuscripts and covers. Among them the most notable is the
pilgrimage tour of King Pratap Malla. Another remarkable manuscripts
are 11th century Vishnu Dasavatara 13th century manuscript
cover of Shiva Dharma Purana. In this section, there is a
rectangular room like a corridor, the northern wall La pintura
facing south has rows of La pinturas all with captions and Shiva
Viswarupa, who is multiarmed and multiheaded. The wrist of
cosmic manifestation of Shiva has name of King Bhupatindra
Malla, 17th century ruler, who made famous fiftyfive windows
palace.The long corridors have many water colour La pinturas
of acquatic world, the mythical dragons, various Los Pájaros, bulls
and so on. They are the best representations of medieval folk
art of Nepal.
Woodwork Section
The woodwork section has been
housed in Pujari-math, which is situated at Hachapal tole
of Bhaktapur behind Dattatreya temple. The Pujari-math is
considered as the oldest math in the Kathmandu Valley. The
Pujari Math with courtyards are decorated with richly carved
windows and pillars. The Mara Vijaya, Pooja Devi, Viswaroop
and Aryatara, these are the magnificient exhibits of woodwork
section.
Metalwork Section
The metalwork section has been
housed at Chikan Pha Math, which is situated at Tachapal tole
of Bhaktapur, just opposite to Pujari Math. This section has
been popularly known as iconless metal work. In this section,
the religious and ritual objects of Newar community have been
displayed particularly. Almost exhibits are of early 20th
century. |
